Ome Grand Artist (1992)

Description

While we've been lucky enough to get a number of very nice used Ome banjos in our shop lately, we can confidently say that none stand up to this extraordinary Grand Artist from 1992, a truly one-of-a-kind instrument. This was the second Grand Artist ever made, and is significantly more ornate than the first one, with extra fretboard and headstock inlays personally added by Ome's founder, Chuck Ogsbury. Furthermore, with a removable pie-plate resonator, this banjo also doubles as an open-back, should someone want a mellower sound than this instrument's naturally bright, bell-like tone. The sound is highly complex thanks to the sonically perfect maple on the neck and pot, with tone colors that shift rapidly in response to the player's right hand.

But the real story lies in the unbelievable visual appointments that set the Grand Artist well above any other Ome banjo we've seen to date. To start with, the inlay work on the fretboard, headstock and resonator in both mother-of-pearl and abalone are a dazzling showcase of Ome's best work, with images of birds, butterflies, and vintage-style flourishes. The hardware (including this instrument's rare Oettinger tailpiece) is plated in 23.99 karat gold leaf, and is generously engraved with subtle patterning that leaps out at the viewer after they spot the inlay work. The neck heel is carved into the shape of a gryphon's head, with semi-precious stones serving as the gryphon's pupils, and the resonator and pot are elaborately carved as well. Finally, the tuning buttons are made from solid mother-of-pearl, a highly rare appointment.

Even beyond the terrific sound and unbelievable aesthetics, we're happy to report that this Grand Artist is in perfect condition, with absolutely no signs of playing wear. To be certain, this is much more a collector's instrument than a player's, considering its exceptional value and ornate beauty. The banjo's current owner had a Schatten pickup installed after-market, and it's currently set up with a fully compensated bridge for perfect intonation. Additionally, to adequately protect this heirloom instrument, the Grand Artist comes with a highly protective Calton fiberglass case, as well as a case cover by Colorado Case Company. We consider the instrument to be in excellent condition, and about as near to mint as can be had on a 30-year-old piece.

Please note that because of the considerable value of the Grand Artist (as well as its irreplaceable nature), it's available for in-store pick up only - we do not feel we can in good conscience ship this instrument. Please call our store at (303) 777-4786 or come by in person if you're interested in buying this spectacular banjo.